LEICESTER (4-4-2)SCHMEICHEL,SIMPSON, MORGAN, HUTH, FUCHS,MAHREZ, DRINKWATER, KANTE, ALBRIGHTON,ULLOA, VARDYCHELSEA (4-2-3-1)COSTA,PEDRO, OSCAR, WILLIAN,MATIC, FABREGAS,BABA, TERRY, CAHILL, IVANOVIC,COURTOISChelsea, after such a poor league season, confirmed their place in the knockout stages of the Champions League with a 2-0 win over Portuguese club Porto on Wednesday. It should give them a boost ahead of a difficult game on Monday.Remarkably, Leicester City face reigning champions Chelsea at the top of the table. The Foxes have 32 points – 17 more than the Blues, who are languishing in 14th place and just two points clear of the relegation zone.And at this stage of last season Chelsea were top – and Leicester were bottom. After 15 games of the 2014-15 campaign the Blues had 36 points, 21 more than they have now. By contrast, Leicester had 10 points, 22 fewer than they have now.Leicester are finding the net with ease; they have now scored three goals in each of their last three away games.Their latest success came at Swansea City last weekend when, for once, Jamie Vardy failed to score. He remains the Premier League’s leading scorer, with 14. But teammate Riyad Mahrez took over the limelight with a hat-trick in Wales.That was the ninth hat-trick of the season, just one short of last season’s total over the season.
Learn how to turn a layer on and off in After Effects using the Checkbox Control.if you work in a team environment or want to create a template for multiple projects, the Checkbox Control is a handy tool you can add to your AE projects. Unfortunately, many people don’t use Checkbox Controls because they can’t be created without writing an expression, but don’t be intimidated! Once you have a Checkbox Control in place you can quickly turn layers on and off in any comp in your project. The controller is a simple way to turn on/off layers without having to track them down in your compositions.1. Create a new adjustment layer.The adjustment layer will simply be a place for the checkboxes to live. It doesn’t really matter what the adjustment layer is called, but you might want to call it something like “Controller” if you are planning on using this technique in a template.2. Add the effect “Checkbox Control” to the Adjustment Layer.Simply grab the “Checkbox Control” effect from the Effects panel. It can be found under Expression Controls> Checkbox Control.3. Open the opacity of the layer you want to check on and off.Find the layer that you want to turn on/off with a controller. Select the layer and hit the “t” button on your keyboard. This will call up the Opacity options.4. Add the expression:if(“PICKWHIP TO CHECKBOX” ==0) 0 else 100;Right click on the stopwatch next to the Opacity parameter. You will open up the expression box. Simply type in: if(After you type in if( you need to grab the pick whip (the swirly logo to the left of the expression box) and drag it to the “Checkbox Control” effect in your adjustment layer. After Effects will drop in some code that looks like this: thisComp.layer(“Controller Layer”).effect(“Checkbox Control”)(“Checkbox”). You will then type in: ==0) 0 else 100;The expression basically says if the Checkbox Control is equal to 0 (turned off) than the opacity layer will be 0. The “else” parameter says that if the Checkbox Control is equal to anything other than 0, it will return a value of 100. So for the checkbox control it will either be 0 if unselected and 1 if selected. So 0 value for opacity if unselected or a 100 value for opacity if selected.5. Your layer should now turn on and off depending on whether the checkbox is selected.Your checkbox control should work perfectly now. One thing to note is that the checkbox control will work across multiple compositions. This is especially helpful if you are wanting to nest compositions.Have any other uses for Checkbox controls? Share in the comments below.
Krishnendu RoyThe long queues at the gates, the full-throated shouts and the fierce arguments at tea shops and coffee houses are all back as Calcutta settles down for yet another season of football frenzy. Also back is its accompanying tension which is exactly what keeps the Bengali ticking during the,Krishnendu RoyThe long queues at the gates, the full-throated shouts and the fierce arguments at tea shops and coffee houses are all back as Calcutta settles down for yet another season of football frenzy. Also back is its accompanying tension which is exactly what keeps the Bengali ticking during the hot and humid Indian summer.On paper, however, nothing has changed, from the fabulous amounts that reportedly changed hands during the transfer period – in no other centre is football such a big money business – to the continued domination of the three big clubs.Yet the 1982 football season promises to be different from the previous ones in at least one major respect. For the first time the senior division league will feature a plethora of new faces who have made it to the top in such large numbers, for perhaps the first time ever in Calcutta’s football history.For years football lovers had been demanding new faces and though the clubs would get hold of youngsters they would invariably get sidetracked by the big names. This year, thanks to the Asian Games, most “stars” are out undergoing rigorous workouts in training camps which means they cannot participate in any home tournament before the Games are over.It is a football season without such names as Bhaskar Ganguli, Prasun Banerjee, Xavier Pius, Shabir Ali, Manash Bhattacharya, Prasanta Banerjee and Compton Dutta whose absence has certainly shorn it of glamour but not of interest as is evident from the crowded stands.advertisementMukherjeeGlamour Boys: The news isn’t so good for the missing star performers. As an official of a leading club said: “Most of the glamour boys thought people would not turn up if they were not playing and often blackmailed us. But now it is evident that it is the attachment to the club which draws supporters to the ground irrespective of which players are being fielded.” And already it has been noticed that the game itself does not suffer if the big names are not around, as was evident when Mohammedan Sporting beat Bata last month 3-0 with an entirely new team.Last year’s league champion, Mohammedan Sporting lost heavily this year on the transfer market and has practically a new side apart from the Iranians. Jamshed Majid and Khabaji, who did not play in the first outing, and Shabir Ali who is attending the Asiad camp. Besides, with most of the big names now in the 28-30 age group it is doubtful whether they can continue playing meaningful football. They were found seriously wanting when pitted against the much younger and faster teams from abroad during the recent Jawaharlal Nehru tournament in Calcutta. Organisers of the game have, ever since, been seriously scouting for new talent. Replacements are needed and the current season may provide them with the right answers.During the current season, however, the older players have little to worry about. Even though they are not playing for their clubs during the senior division league, they continue to be retained and draw their monthly emoluments in addition to the Rs 2,000 a month that the All India Football Federation pays them for attending the national camp.Shankar AdhikaryAnd for most of them, the clubs dole out handsome amounts. It has been reported that East Bengal club, which took a lot of beating last year, has spent around Rs 10 lakh this year to recover its lost prestige. Among those who have signed for the club this year are Indian skipper Bhaskar Ganguli.One of the reasons why the clubs have signed up internationals in spite of the fact that they would be of no help during the league is because prestigious tournaments like DCM, Rovers and Durand will take place after the Asian Games when the restriction on players will cease to exist. Income Tax: The big clubs may also experience difficulties with the Income Tax (IT) authorities as they have been mentioned as sources of income in the it returns filed by some of the stars. This is the first admission by players of being paid for playing.Earlier while everyone knew that the players were being paid, there was no official record simply because the cash changed hands under the table. However, with the big guns in the Income Tax Department having close relations with the authorities of major clubs – a relationship which is mutually beneficial – it is quite likely they will not have to bother much and eyes will continue to be kept shut.advertisementLast season, one of the smaller clubs had tried to get the phony amateur status of the big team players blasted through a court case, but didn’t get very far, so inter-woven are the relationships between the top three.East Bengal, Mohun Bagan and Mohammedan Sporting, and the Indian Football Association (IFA) the state level apex body which is supposed to keep a close look on the clubs for smooth conduct of the game. The court put the responsibility of finding out whether a club was paying its players or not squarely on the shoulders of the IFA.Meanwhile eyes in Calcutta are rivet-ted on up-and-coming players like Amitabha Mukherjee of Mohun Bagan who had scored the all-important goal for the team at the Federation Cup tournament at Kozhikode earlier this year. Also in the limelight is Krishnendu Roy oi the same team who had played so well for India at the Merdeka tournament but who, for inexplicable reasons, has been kept out of the Asiad camp.For East Bengal the rising players are link-man, Swapan Raut and left-winger, Arun Nath while Mohammedan Sporting, which has been almost without any star attraction this year, has been lucky to get the services of Debashish Mishra, acclaimed as this season’s best midfielder and also the fast right-winger, Shankar Adhikary.These players had either played for smaller clubs previously or had signed up for one of the big three only to spend their afternoons as reserves on the sidelines. This is the first time that they have found an opportunity to display their mettle and appear to have already earned their places as new stars in Calcutta’s soccer world.